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The first is a new series — part of a col­lec­tion of raw, straight-from-the-shoul­der poems ten­ta­tive­ly enti­tled “His Life Dithyra­m­bic” — as I revis­it my life up to this point, its pains, trau­mas, plea­sures, and good fortunes.

The attend­ing illus­tra­tion is a self-por­trait done rough­ly a year ago, orig­i­nal­ly to the prompt “Unbreak­able,” and seemed com­ple­men­tary to the verse’s cen­tral con­ceit, since it details actu­al inci­sions, wounds, punc­tures, and blunt trau­mas that I’ve expe­ri­enced at the mer­cy of nature, myself, and oth­er people.

This piece is unusu­al for me for lack­ing a reg­i­ment­ed meter and end rhyme scheme, while fea­tur­ing more inter­nal rhymes, con­so­nance, and count­less enjambments.

List­less I lie, an under­whelm­ing lump,
Racked as they pump, turn, and tighten,
Stretch me firm, and taut, and tender,
Wan limbed, blood pool­ing to the center.
Across this bed­stead of their pierc­ing love,
My lithe and naked, hair­less tor­so hung,
So young, between the posts of expectation
And inher­i­tance. I look with cow­ardice upon
Their instru­ment array: the tray of blades,
the bowl, the bone-saw, the ves­sel for my soul.

And though I wish to weep, I will not weep,
I will not let a tear to stream, pur­ple my cheek,
I will not let their love be sat­is­fied by this
One last part of me: They can­not have my grief!
They can demar­cate my limbs with dot­ted lines,
And trace the shape of me that they would nip,
And tuck, and sev­er off, and fold; like origami
Box­es, into which the rest they mold to fit.
For them a pret­ty, emp­tied cav­i­ty to fill; or rag
To sop up all the unpent liq­uid love they spill.

I hold their eyes in mine, unflinch­ing stare,
Pre­tend that I am not about to die,
Unanes­thetized, and too aware of every pore, each
Strand exposed beneath an incan­des­cent contumely.
The lancet slits into my soft, pubes­c­ing flesh
And teas­es out each fil­a­ment from fiber,
And nerve from hope and lig­a­ment from bone.
Hope only that they leave some lit­tle part uncut.
But no, strip down and flay the altar of its skin,
And grave from its bold uni­ty the image of their god,

A god who only lives ensnared in mirrors.
I faint, come to. (I’ve flinched.) Recoil­ing, scream
With blood-slicked body reel­ing in the air. I rock
The pil­lars and the chains; moan and curse their
Tor­tured hearts and tor­tur­ing hands. But am too weak
To long resist the blows that beat me back and seize
Me fast, bound into place to soothe my throes.
These sur­geons for my sin, they run their palms across
My breast, down my cheek, through my hair, and
Whis­per, “Do not despair, for we know best how best to care.”

These my atten­dants take their stock. I recompose
Myself and grit my heart. They touch my brokenness
And knead my guts, probe me for mass­es; some cystic
Tan­gle or worse, some­thing more con­gen­i­tal, perverse.
They pinch, mas­sage, and rearrange my loins.
I wince at force­ful fin­gers pluck­ing sinews,
rap­ping bones, the shame of all of me to them like clay.
Naught there amiss to find, undaunt­ed ply their tool
Of last resort: sway with seen and sawn serrations;
Rip adi­pose, stri­at­ed thews, chew final­ly to osseous arma­ture and through.

’Til onward past this gore of love they find
What their small hearts have sought, so earnest:
A lover who’ll fit well with­in four posts.
Who limb­less, impo­tent com­pels their unctions:
“Anoint mine emp­tied sock­ets, tongue­less mouth,
Drip oil from ampu­tat­ed arms, legs, ears, and snout;
And, final­ly, that place between the hips
That was, too dis­joint­ed­ly con­cu­pis­cent, shorn free,
In chrism toss to save my soul from me
And to, at last, be lov­able to Thee.”